It was a 7-stream multicam music show (6 angles and one line cut), ProRes 720p 59.94. The test media came from a Resolve project I already had loaded both on my RAID and on an SSD. I would say this edit with LumaFusion was the hardest it’s worked and it worked like a charm. It’s been quite the beast but I’ve never really pushed it much since I’ve had it. This is a beta version so the full version of Resolve for iPad isn’t yet shipping.

I’m focusing mainly on the editing experience and editing tools here, not much about color since … I’m an editor. Instead of a deep review (you really can’t do a deep review without really using a product), I’m going to list out a number of thoughts, observations and things I noticed while working with Resolve for iPad for a few hours. It’s only the Cut and the Color page but it’s very close to the desktop version of Resolve, and depending on your point of view, that might be a revelation, or it might be a disappointment. I can safely report that it’s exactly what we thought it would be when it was announced a few weeks ago. I had the opportunity to take a beta version of Resolve 18 for iPad out for a bit of an advanced look today.

Davinci resolve ipad air